At Correr Museum of Venice, an extraordinary exhibition is underway, and it’s dedicated to one of the founding fathers of Italian Futurism, Fortunato Depero. The exhibition’s name is “DEPERO – Opere della collezione Fedrizzi” (“Depero – Works from the Fedrizzi Collection”).

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The exhibition, one of the many ones organized by the Fondazione Musei Civici of Venice on the occasion of the centennial of futurism, will be housed by the Correr Museum until 1^st March 2009. This great event had been made possible thanks to the Fedrizzi family, who agreed to gift the private collection belonging to Giuseppe Fedrizzi as a long-term loan to Fondazione Ca’ Pesaro.

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The event displays about 80 artworks which date back to the period between 1914 and 1956, and are the real proof of Depero’s artistic genius, who succeeded in giving movement to each of his creations with the use of oils, temperas, charcoal drawings and advertising sketches.

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Undisputed forerunner of our way of conceiving advertisement, Depero

Extended until 28th of August the exhibition that Palazzo Reale in Milan, in cooperation with Skira and Arthemisia organizes about Francis Bacon. He is considered the last of the great 20th century masters and the one who could transmit the uneasiness of the modern man in painting.

With this great event, the city of Milan wants to celebrate the centenary of Bacon’s birth that will occurr next year.

The exposition, handled by Professor Rudy Chiappini, shows in an exhaustive way the artistic career of the irish artist through its works coming from the most important museums and collections worldwide.

The core of the artistic display provides for the exposition of over one hundred works, almost all as yet unknown here in Italy, including eighty-two paintings and about fifteen drawings, plus as many objects that are part of the archive material carrying the artist’s mark. More than fifty years of career described by a large number of works which range from paintings to sketches and pictures.

A room of Palazzo Reale presents, for the first time in Italy, the photographic reproduction of Bacon’s studio of London, which was the little microcosm where he lived between 1961 and 1992, the chaotic studio where he kept all his books, papers, sketches, colours, canvases, photographs and notes, and everything else that could be a source of inspiration for him. The show opens with a set of important works on paper, which were only found after the artist’s death and have never been displayed in Italy before. Then it continues with the paintings dating back to the years after the Second World War, when Bacon made himself known at an international level thanks to the “Studies for Figures” and to his “Heads”.

Special attention is given to document Bacon’s activity in the ’50s, which was devoted to portraits made just for his friends or made to order. These paintings are dwelled by blurred and ghastly figures, desfigured and deformed faces and bodies disappearing into the darkness of the background. During the following decade, his characters started appearing in a more definite and lit space and they gain volume and expressiveness. In the great triptychs of the ’70s, his care for individual subjects had become slightly exasperating.

Among the works exposed, we mention in particular “Three Studies of the Male Back” and “Triptych”. Only during the later years of his life, Bacon stopped “fighting” with the characters of his paintings, showing their inner essence and transforming them into a few spots of colour clotted on neutral backgrounds.

A voyage

Until 2nd June 2008 Palazzo Reale in Milan will host an exceptional exhibition dedicated to one of the greatest representatives of Italian Futurism: Giacomo Balla.

At the exhibition called “Giacomo Balla – La Modernità Futurista” (“Giacomo Balla – The Futurist Modernity“) it will be possible admire the whole Balla’s futuristic production, movement to which the artist conformed later than his contemporaries. The exhibition is founded on the study and the analysis of his futuristic artworks, true fount of energy.

Virtuosities of shapes and colours, broken shapes which give movement to the pictures. Artworks which still talk about sensations and shivers, maybe because of Balla’s previous artworks.

Spectators can admire about 200 artworks on exhibition, and for this occasion they will have the chance to retrace the whole artistic itinerary of the painter, highlighting the crucial moments of change.

The exhibition’s journey

ART 2008, the market exhibition of international Crafts, comes back to Florence at Fortezza da Basso from 25th April to 4th May.
It is now a habitual appointment between the city of Florence and Art, the most famous craft fair in the world, which every year gathers the best craft creations exhibited along an itinerary characterized by inspiration and originality.
Art, to which this year about 800 among Italian and foreign exhibitors take part, represents a real match point between demand and offer, between the craft businesses and the most affectionate consumers, who, absorbed in a scenary of innovation and steady evolution, will have the chance to choose between several craft products, from typical food, to special gifts and jewels.
The market exhibition of international Crafts

The city of Rome is proud to host in the wonderful halls of Palazzo Venezia until 18th May , the artworks which belong to one of the 16th century greatest Italian artists, Sebastiano del Piombo.

The exhibition, the first monosgraph dedicated do the painter, goes over about 80 artworks, from the artist’ paintings (paintings on board, small paintings on slate, life size portraits) to other artworks by comparison, useful to understand and to underline the artistic genius Del Piombo.

Moreover, in order to allow the spectator to retrace the artistic itinerary of the painter, the exposure is branched, with a path which goes from the first lightful, great and coloured artworks, to the last productions, abstract geometrical shapes dipped with dull shades.

Sebastiano Luciani (this is the real name of the artist), was born in Venice in 1484, and spent most of his artistic life in Rome, where in 1531 it was given to him the qualification of ‘papal piombatore’ (minister of justice who took care of papal bulls and apostolic letters), from which the nickname “del Piombo” results, by which he’s known all over the world.